Film Quest: These ‘West Side Story’ Gangsters Aren’t Very Thuggy

Posted in Epic Film Quest! on January 14th, 2014 by Nick

west_side_story_xlgI feel it may be sacrilegious to admit that I didn’t care for West Side Story, but, uh, I didn’t. Like God might smite me or something. My mom loves the film though. Maybe I should’ve made her write this blog. (If only she knew what a blog was…)

The dancing and choreography were top notch, kiddos, OK? I won’t deny that these “thugs” can shake it. They frolic around as if they’re floating on air and held up by wires (which I bet if this movie was remade nowadays, it’d be supported by wire work. Or maybe the first-ever CGI Musical! I’ll take “Bad movie ideas” for $500, Alex.)

What was I saying? YEAH – dudes can PRANCE.

I didn’t connect with anything else. The music was entirely unappealing to me. The love story is completely ripped off from Romeo and Juliet (and many of the characters are even counterparts to specific R&J characters). I’m not a huge Natalie Wood fan (She didn’t even SING in the film! It’s a musical. Did. Not. Sing.) I’m not a huge Richard Beymer fan either.

Rita Moreno was a little firecracker though! Moreno played Maria’s closest gal-pal Anita (and also Bernado’s lady). Not only was this little sexpot super saucy, but she was a scene stealer, too! She added a lot of appeal to a 2.5 hour film that I was desperately struggling with.

Also, for being a bunch of gangsters, these guys were pretty sissy, man. I don’t know many gang members, but I can almost guarantee that they rarely break out in song. JUST SAYIN’.

(Oscar fun fact: West Side Story has won more Academy Awards than any other musical film, unless you count the Honorary Award given to Maurice Chevalier for Gigi in 1959. Then, the two films would tie at 10 wins each.)

Oh, Oscar fans, Epic Film Quest followers, Musical geeks – this one let me down in a major way. Or maybe it was I that let it down. Either way, it just wasn’t my cup o’ Earl Grey.

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Epic Film Quest: ‘All the King’s Men’ (1949)

Posted in Epic Film Quest! on December 11th, 2013 by Nick

all_the_kings_men-5Previously on The Littlest Winslow…
I’m watching every single one of The Academy’s Best Picture winners.
It’s harder than you’d think.
Or maybe it’s exactly as hard as you’d think.

Dear Diary Blog. It’s been a long time since my last Epic Film Quest post. Almost two months to be exact. Here are the things I blame, (because really, it wasn’t my fault): Kerry Washington’s fine ass (Scandal!), Curtis for telling me to watch Scandal, a REALLY GOOD SEASON of Survivor, Jessica Lange, and Veronica Mars.

Now that I have more than proven that said procrastination was nowhere near my personal fault zone, I’d like to tell you about All the King’s Men – the 1949 Best Picture winner that I viewed recently. This story is about a politician named Willie Stark (Broderick Crawford) who starts out as a man of the people, but later becomes a ruthless douche as corruption takes over his soulllllll.

Stark teaches himself law and becomes a lawyer. He corrals the locals as he rises in power. He conducts some pretty impressive business, until he conducts some pretty shady business. He becomes a philanderer, cheating on wife, and paying people off to hide the skeletons in his closet. But once his son becomes paralyzed following a drunk driving incident that kills a female passenger, Stark’s world starts to downward spiral as he learns that money can’t solve all of his problems.

One thing I’ve noticed with older movies, especially those from the 30’s and 40’s, is how black and white these old-school characters are. They’re either Dorothy Gale Good or Wicked Witch of the West Bad. Even in a case like Willie Stark…he wears a white hat until he wears the blackest of hats. There’s rarely any in-between. This is interesting today, living in a society that now celebrates the antihero – where the Don Drapers, Tony Sopranos, and Walter Whites run rampant across our screens. That’s not to say that older films are devoid of characterization – it’s just that it happens more abruptly than subtly (and maybe because writing these days is far superior? Perhaps this generalization isn’t fair, though.).

It also begs to be mentioned that this movie had the best Newspaper Headline Montage in the history of Newspaper Headline Montages! (Insert Team America: World Police song here) Perhaps while we were all staring at the headline montage, Stark changed into his black hat and we just didn’t see it happen off-screen. BUT WHO KNOWS? I didn’t write the thing.

Overall, All the King’s Men was a good movie with good performances, but it was no All About Eve (And in case you were wondering, I’m all caught up on Scandal now). Minus one distraction, 29 films to go.

Grade: B-

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Bingeing with the Epic Film Quest and ‘The Lost Weekend’

Posted in Epic Film Quest! on October 16th, 2013 by Nick

The_Lost_Weekend_posterI fully realize that my last post was a review of a mid-80’s Italian Horror flick about a demon epidemic that takes over a small movie theater and later THE WORLD, so perhaps it’s super strange that I jump back and forth between black-and-white Best Pictures from the 1940’s and…well, that. But I’m going to do it anyways because I am a lover of all moviefilms. Viva movies! Though I do wonder how many members of The Academy have seen Demons. I’m guessing slim-to-none.

This Best Picture from 1945 recounts the life of an alcoholic New York writer, Don Birnam, as he attempts to give up drinking…but instead rages on a weekend alcoholic binge despite the good intentions of his brother and girlfriend. The movie, directed by Billy Wilder and starring Ray Milland and Jane Wyman, was based on a book of the same name written by Charles R. Jackson.

The movie starts with Don pretending to pack for a weekend trip with his brother. Rather than making sure he has his cell phone charger and iPad (or whatever was the 40’s version of those were), his brain is completely focusing on the bottle he has tied to his window sill, hanging outside over the window’s edge. (OK, if I was going to hide a bottle, that’d probably be the last place I would put it. I would take an Iced Tea container, dump out the tea, and put Jack Daniels in it. Then just put it in the fridge. I probably wouldn’t tie the JD to a rope and hang it outside. Probably would not. Just don’t offer your guests “Iced Tea.”)

Don dodges his brother and gal pal by sending them off to a show, leaving him alone just long enough to start his weekend bender. We see how others react to him, specifically a bartender at a local watering hole. Basically everyone thinks he’s Andy Dick. But what’s amusing about this film, from a modern perspective, is how literal Don is with his words…and how introspective:

“It shrinks my liver, doesn’t it, Nat? It pickles my kidneys, yeah. But what it does to the mind? It tosses the sandbags overboard so the balloon can soar. Suddenly I’m above the ordinary. I’m competent. I’m walking a tightrope over Niagara Falls. I’m one of the great ones. I’m Michaelangelo, molding the beard of Moses. I’m Van Gogh painting pure sunlight. I’m Horowitz, playing the Emperor Concerto. I’m John Barrymore before movies got him by the throat. I’m Jesse James and his two brothers, all three of them. I’m W. Shakespeare. And out there it’s not Third Avenue any longer, it’s the Nile. Nat, it’s the Nile and down it moves the barge of Cleopatra.”

I can assure you that I don’t speak as…uhh…”competently” as Don does when I’m hammered.

Even Don’s “hallucinations” are literal and old school – they certainly don’t mirror anything we’ve seen in Requiem for a Dream, that’s for damn sure. Once again, this film quest is kind of like seeing the world through a 1940’s kaleidoscope, both in terms of viewing society and its characters, but also in terms of filmmaking and filmmakers of the time. Even though at times Don and his problem were somewhat humorous because of the unrealistic dialogue (again, by today’s standards) and techniques, The Lost Weekend still gave us a great character to sink our teeth into, and an even better performance by Milland.

Grade: A-

The film is a short 99 minutes, so if you’re looking for an easily digestible classic to peruse, The Lost Weekend is a great place to start.

I have 30 Best Pictures left! Baby-stepping it to the 20s…

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Epic Film Quest: ‘You Can’t Take It With You’

Posted in Epic Film Quest! on July 31st, 2013 by Nick

capThe 1930′s are slowly killing me inside.

This week’s undertaking brought me straight to 1938 – Frank Capra’s You Can’t Take It With You starring James Stewart, Jean Arthur and Larry Barrymore. Alice (Arthur), the only “normal” member of the eccentric Sycamore family, falls in love with Tony Kirby (Stewart). His wealthy banker father and his snobbish mother strongly disapprove of the match. When the Kirbys are invited to dinner to become better acquainted with their future in-laws, things do not turn out the way Alice had hoped.

I guess for 1938 it was “zany” and “eccentric”? This one didn’t hold my attention as much as I had hoped, but it did flow smoother than All Quiet on the Western Front did, and that’s all in thanks to Capra and his ace directing. I absolutely loved It Happened One Night – Capra has a unique way of capturing the charm of these Golden Age Hollywood greats. It’s just that in this particular film, I wasn’t so connected with Stewart, Arthur or their characters. The whole “stuffy in-laws” is also a belabored plot device that I’ve seen countless times, so there’s that too. It Happened One Night was just a stronger movie all around.

But hey – that’s not to say that the Sycamore family wasn’t entertaining – they were a gang of misfits who all accepted each other for who they were. They danced, they made things, they accepted others – even way back in 1938. They had a nice dynamic – I just wish there was a little more magic between Stewart and Arthur (there were way better leading ladies at the time).

I have 32 movies left. That seems like a lot. Send help.


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Clint Eastwood is One Snarky Rascal: ‘Unforgiven’

Posted in Epic Film Quest! on April 3rd, 2013 by Nick

unforgivenBefore Chuck Norris, there was Eastwood. And I can’t deny: I’m highly tempted to give up the Epic Film Quest all together. Cold turkey.

After watching the 1992 Best Picture winner, Unforgiven, I only want to watch movies that star Clint Eastwood wielding a gun in each hand, chasing down felons or participating in your standard, everyday Western shootout. I want my life to be inundated with witty one-liners chock-full of curmudgeonly attitude, as Eastwood guns mofos down and sprays the town with their blood. That totally happens in, like, Ghandi…right!?

Regrettably, Eastwood was kind of before my time. I’ve seen modern day Eastwood films like every other asshole alive (Gran Torino, Mystic River, Million Dollar Baby, etc.), but never really got to appreciate his older work. Unforgiven is one of those movies that makes me want to quit my job and become an uber Eastwood-phile. I want to sit on my couch surrounded by tubs of ice cream (yes, plural tubs) and repeating every beloved line to myself and to the Internet. I want to channel my inner Eastwood so I can quote him thoroughly, completely, and in context should I ever find myself riding a horse in the desert, participating in a gunfight, exchanging wits with a nemesis, or battling a gang of thugs in a scary LA suburb. (Actually, scratch that last one. Eek.)

To celebrate Unforgiven and this stop on my quest to watch all of The Academy’s Best Pics, I binged on this YouTube clip of some of the best Clint Eastwood quotes known to the Milky Way galaxy. You should watch it and pretend that you’re as cool as Clint Eastwood. Because that’s what I’ve been doing for the last 45 minutes of life.

Some real winners here:

“You did two things wrong. One is you asked a question, and two is you asked another question.”

“Nobody….I mean nobody…puts ketchup on a hotdog.”

“I have dined with some of the ugliest goddamn bitches in my time. And I have dined with some of the goddamndest ugly bitches in this world. But you, my dear, are the ugliest bitch of them all.”

“You couldn’t take care of a wet dream.”

“Your lucky numbers are 84, 23, 11, 78, and 99. What a load of shit.”

“And I’ve drunk more beer, pissed more blood, and banged more quiff, busted more balls then all you numbnuts put together.”

And that’s only a small sample of the 10 minute-long clip, and an even smaller sample of the legend’s six-ish decades of acting excellence. Need. More. Clint.

Suffice to say, Unforgiven is a resounding Grade: A movie.

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‘Going My Way’: Bing Crosby’s Got Mad Skillz

Posted in Epic Film Quest! on January 16th, 2013 by Nick

going-my-way_1.240x340A church, a broken window, some piano playing, singing, and two priests not getting along so much. That about explains the 1944 Best Picture winner Going My Way, starring Bing Crosby, and it was JUST AS EXCITING AS IT SOUNDS!!!!

Crosby plays Father Charles “Chuck” O’Malley, a young up-and-comer (if priests can even be referred to as “up-and-comers”) heading to a new congregation for his new post. Father Fitzgibbon (Barry Fitzgerald), the old school Elder Priest or something, disagrees with O’Malley’s ways, which really just includes real, grounded friendships, playing golf, and teaching children how to sing (The horror!). Fitzgibbon’s disapproval doesn’t really make any sense, but neither does religion sometimes. OH SNAP! A scandalous blog I lead, I know. Other characters float in and out, like a girl who ran away from home, some kids O’Malley teaches to sing, and a few others, but they don’t really matter too much because there isn’t really much of a plot and the film’s pieces rarely connect the puzzle. The movie was well-paced though, (which as you know by now is so crucial to me when I’m watching older, black and white films), and enjoyable enough.

Fun Fact: This movie won a helluva lot of Academy Awards (7!) and was the first and only time an actor was nominated for Best Actor and Best Supporting Actor. Fitzgerald lost to Crosby for Actor, but then snagged the Best Supporting trophy.

But before I start sounding like a Negative Nick about Going My Way, we should all hail the mighty Crosby – whose trademark bass-baritone made him a star on screen, in the recording industry, and on radio (he has three stars on the Walk of Fame to prove it). Some of these old-timer films simply exist as a vehicle for a super-mighty-talented guy to show off his super-mighty-talented talent, and Bing Crosby is “a dreamboat,” as one of my Facebook friends leisurely commented one day. The guy has mad skillz and no one can argue with that. Listening to the movie’s songs make it worthy of a watch, but negative points for yanno, the stuff I said above. The relationship between O’Malley and Fitzgibbon does progress nicely though, and by film’s end it’s kind of nice. Said the worst description of a movie ever.

To conclude with this conclusion, Going My Way is to Bingy as An American in Paris is to Gene Kelly: The movie was just OK for me, but the talented singing man keeps it out of C-territory.

Grade: B-

37 of 84 movies remain in the quest. Baby steps.

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Oscar 2013: Nominations Have Landed

Posted in Movies on January 10th, 2013 by Nick

Nominations are in for the 2013 Academy Awards and like most years, there aren’t too many surprises…except for that Ben Affleck snub for Best Director, Argo (what WHAAAAT!?). Speaking of Best Director, Zero Dark Thirty’s Kathryn Bigelow is also egregiously missing from the list. Yikes.  Beasts of the Southern Wild fared way better than most probably predicted and…well, lets just get to it:

Best Picture
Beasts of the Southern Wild
Django Unchained
Les Miserables
Life of Pi
Silver Linings Playbook
Zero Dark Thirty

Best Actor
Bradley Cooper, Silver Linings Playbook
Daniel Day-Lewis, Lincoln
Hugh Jackman, Les Miserables
Joaquin Phoenix, The Master
Denzel Washington, Flight

Best Actress
Jessica Chastain, Zero Dark Thirty
Jennifer Lawrence, Silver Linings Playbook
Emmanuelle Riva, Amour
Quvenzhane Wallis, Beasts of the Southern Wild
Naomi Watts, The Impossible

Best Supporting Actor
Alan Arkin, Argo
Robert De Niro, Silver Linings Playbook
Philip Seymour Hoffman, The Master
Tommy Lee Jones, Lincoln
Christoph Waltz, Django Unchained

Best Supporting Actress
Amy Adams, The Master
Sally Field, Lincoln
Anne Hathaway, Les Miserables
Helen Hunt, The Sessions
Jacki Weaver, Silver Linings Playbook

Best Director
Michael Haneke, Amour
Ang Lee, Life of Pi
David O. Russell, Silver Linings Playbook
Steven Spielberg, Lincoln
Benh Zeitlin, Beasts of the Southern Wild

Best Original Screenplay
Amour, Michael Hanake
Django Unchained, Quentin Tarantino
Flight, John Gatins
Moonrise Kingdom, Wes Anderson and Roman Coppola
Zero Dark Thirty, Mark Boal

Best Adapted Screenplay
Argo, Chris Terrio
Beasts of the Southern Wild, Lucy Alibar and Benh Zeitlin,
Life of Pi, David Magee
Lincoln, Tony Kushner
Silver Linings Playbook, David O. Russell

Best Animated Feature:
The Pirates! Band of Misfits
Wreck-It Ralph

Best Cinematography
Anna Karenina, Seamus McGarvey
Django Unchained, Robert Richardson
Life of Pi, Claudio Miranda
Lincoln, Janusz Kaminski
Skyfall, Roger Deakins

Best Costume Design
Anna Karenina, Jacqueline Durran
Les Misérables, Paco Delgado
Lincoln, Joanna Johnston
Mirror Mirror, Eiko Ishioka
Snow White and the Huntsman, Colleen Atwood

Best Documentary Feature
5 Broken Cameras
The Gatekeepers
How to Survive a Plague
The Invisible War
Searching for Sugar Man

Best Documentary Short
Kings Point
Mondays at Racine
Open Heart

Best Film Editing
Argo, William Goldenberg
Life of Pi, Tim Squyres
Lincoln, Michael Kahn
Silver Linings Playbook, Jay Cassidy and Crispin Struthers
Zero Dark Thirty, Dylan Tichenor and William Goldenberg

Best Foreign Language Film
Amour, Austria
Kon-Tiki, Norway
No, Chile
A Royal Affair, Denmark
War Witch, Canada

Best Makeup and Hairstyling
Hitchcock, Howard Berger, Peter Montagna and Martin Samuel
The Hobbit: An Unexpected Journey, Peter Swords King, Rick Findlater and Tami Lane
Les Misérables, Lisa Westcott and Julie Dartnell

Best Original Score
Anna Karenina, Dario Marianelli
Argo, Alexandre Desplat
Life of Pi, Mychael Danna
Lincoln, John Williams
Skyfall, Thomas Newman

Best Original Song
“Before My Time” from Chasing Ice, music and lyric by J. Ralph
“Everybody Needs A Best Friend” from Ted, music by Walter Murphy; lyric by Seth MacFarlane
“Pi’s Lullaby” from Life of Pi, music by Mychael Danna; lyric by Bombay Jayashri
“Skyfall” from Skyfall, music and lyric by Adele Adkins and Paul Epworth
“Suddenly” from Les Misérables, music by Claude-Michel Schönberg; lyric by Herbert Kretzmer and Alain Boublil

Achievement in production design
Anna Karenina, Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
The Hobbit: An Unexpected Journey, production Design: Dan Hennah; Set Decoration: Ra Vincent and Simon Bright
Les Misérables, Production Design: Eve Stewart; Set Decoration: Anna Lynch-Robinson
Life of Pi, Production Design: David Gropman; Set Decoration: Anna Pinnock
Lincoln, Production Design: Rick Carter; Set Decoration: Jim Erickson

Best animated short film
Adam and Dog
Fresh Guacamole
Head over Heels
Maggie Simpson in “The Longest Daycare”

Best live action short film
Buzkashi Boys
Death of a Shadow

Achievement in sound editing
Argo ,Erik Aadahl and Ethan Van der Ryn
Django Unchained, Wylie Stateman
Life of Pi, Eugene Gearty and Philip Stockton
Skyfall, Per Hallberg and Karen Baker Landers
Zero Dark Thirty, Paul N.J. Ottosson

Achievement in sound mixing
Argo, John Reitz, Gregg Rudloff and Jose Antonio Garcia
Les Misérables, Andy Nelson, Mark Paterson and Simon Hayes
Life of Pi, Ron Bartlett, D.M. Hemphill and Drew Kunin
Lincoln, Andy Nelson, Gary Rydstrom and Ronald Judkins
Skyfall, Scott Millan, Greg P. Russell and Stuart Wilson

Achievement in visual effects
The Hobbit: An Unexpected Journey, Joe Letteri, Eric Saindon, David Clayton and R. Christopher White
Life of Pi, Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer and Donald R. Elliott
The Avengers, Janek Sirrs, Jeff White, Guy Williams and Dan Sudick
Prometheus, Richard Stammers, Trevor Wood, Charley Henley and Martin Hill
Snow White and the Huntsman, Cedric Nicolas-Troyan, Philip Brennan, Neil Corbould and Michael Dawson

The ceremony and live broadcast will take place February 24 on ABC.

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He Totally Tom Cruise’d Himself: Braving ‘Braveheart’

Posted in Epic Film Quest! on November 27th, 2012 by Nick

I am prepared for the inevitable backlash that this post is going to cause me. I have finally seen Braveheart. For the first time.  Alright, already…let me have it.

I’m not really sure what I was doing in 1995 that may have prevented me from seeing this Mel Gibson-led and directed Oscar winner. Maybe I was attending the 5th grade. Maybe it was the day of the championship game of our backyard baseball league, cleverly coined as “BYB.” Maybe I was at the movies, seeing far greater films, like Jumanji or Toy Story. Dammit, I don’t know why I had never seen Braveheart, but in my defense, I was 10 at the time and once Gladiator came out, I never had any reason to watch Braveheart. One just simply rewatches Gladiator when he would like an ambitious period movie with sickass battle scenes, amazing acting and a heartbreaking finish.

Sooo, what? Oh, Braveheart. Right.

Mel Gibson has totally Tom Cruise’d himself. Even though I rather enjoyed The Beaver, Braveheart was the first Gibson movie from the past that I actively sought out. As if it wasn’t hard enough to take his sexy mane of hair and face-painted face seriously, Gibson had to rant about Jews and threaten his girlfriend and rob banks and steal children’s Halloween candy and stuff. (I may have made those last two up..) Watching his take on William Wallace, it was hard to concentrate on the actual performance simply because I know what a douchenozzle he is now. It’s the same reason I struggle with the Mission: Impossible series. I just can’t get involved in that shit.

On the other hand, Braveheart looked amazing, thanks to its Irish and Scottish filming locations, killer costume design, and medieval flair. It’s well-paced and has enough supporting characters to enrich the film with a mighty fine ensemble of characters. I just found it to be rather predictable in certain ways, unlike the best, most radically charged-up awesome fun time flick: GLADIATOR. But then again, Russell Crowe isn’t exactly the poster child for humanity either. Whatever. Braveheart won a shitload of awards that year, so maybe it is me, gentle readers, who is the asshole here.

In sum: I saw Braveheart. I saw it 17 years too late. And it wasn’t overly painful. Always striving for excellence here at The Littlest Winslow. Yep.

Oh, I almost forgot! I grade things now!

Braveheart: B
(Gladiator: A)

What next!?

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TLW Hits the Road: A Trip to the ‘From Here to Eternity’ Beach

Posted in Epic Film Quest! on November 20th, 2012 by Nick

Readers, friends, foes, and followers: Apologies for the radio silence! I was conquering the island of Oahu on a two week excursion of awesomeness. I jumped out of a plane, surfed Waikiki, hiked up a volcano and as a result, sadly neglected this ol’ blog here. However, The Winslow was in my thoughts as we took a side quest to Halona Cove – the filming location of the 1953 Best Picture winner From Here to EternityEpic Film Quest shoutout!

While driving down the eastern coast of Oahu, we stopped by the Halona Blowhole specifically to check out the Cove and see the very spot where Burt Lancaster and Deborah Kerr made out in the then-controversial “sex scene”. (I asked the wifee to roll around in the sand with me while a stranger filmed it, but she understandably declined). Surely, you remember the scene to which I’m referring:

How steamy.

It’s been awhile since I’ve tackled another film on my quest to watch every single Best Picture winner ever. (I am a slacker and procrastinator, but shit gets busy when you’re gettin’ hitched.) Now that I’m back from Hawaii, I’ve got a renewed sense of determination and motivation, and do plan on finishing my quest…even if it takes me an eternity, dammit! ONWARD!

Here a few pics and a vid I took at the scene. I promise to never abandon you ever again. Or at least not until I get married again. (That was a joke)





















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The Epic Film Quest Loses a Great – RIP Ernest Borgnine

Posted in Epic Film Quest!, Movies on July 10th, 2012 by Nick

The first time I learned about the work of Ernest Borgnine was during my Freshman year of college. My professor of Art and Language of Television was obsessed with the movie Marty.  So I, like a studious, dedicated and attentive student of the arts…ignored his recommendation entirely.  (College kids are assholes, what can I say?)

Shortly before starting my Film Quest, I found Marty on Netflix and remembered that professor of mine. I gave it a whirl. I was really drawn into Borgnine’s portrayal of the title character. Marty’s vulnerability leaped off the screen; Borgnine’s chemistry with female-lead Betsy Blair was real and palpable. It was a film full of hope, anchored by Borgnine’s socially-awkward performance of a man who was hapless, yet eternally optimistic.

Borgnine died on Sunday at the age of 95 leaving behind quite the film legacy. To celebrate his work, Turner Classic Movies is airing a 24-hour movie marathon of Borgnine’s films on July 26, starting with The Catered Affair at 6 a.m., followed by The Legend of Lylah Clare at 8 a.m., and Pay or Die at 10:30 a.m. The rest of the schedule is as follows:

Torpedo Run – 12:30 p.m.
Ice Station Zebra – 2:30 p.m.
The Dirty Dozen – 5:15 p.m.
Private Screenings (2009) – 8 p.m.
Marty – 9 p.m.
From Here to Eternity – 10:45 p.m.
The Wild Bunch – 1 a.m.
Bad Day at Black Rock – 3:30 a.m.
A repeat of Private Screenings – 5 a.m.

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